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#1 Posted : 19 November 2008 22:55:00(UTC)
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Posted By Graham Bullough Earlier this week I was at a meeting where the use of a “Mosquito” device was suggested as a means of deterring gangs of youths from congregating outside one of my employer’s premises. People from such gangs had allegedly been involved in vandalism and thefts in the car park at the premises. I understand that “Mosquito” devices emit a low volume high frequency sound which is only audible to people under the age of about 25. They find it irritating and therefore tend to move away from the vicinity of the device. However, some people at the meeting said that such devices were frowned upon because they were discriminatory and infringed the rights of young people. Furthermore, though apparently there’s no proof, it was suggested that the noise might be capable of harming the hearing of young people. My own opinion is that such devices might be an appropriate measure in locations where young people are causing known, potential or perceived threats to other people and their property. Employees and visitors at the premises involved are understandably worried about whether they will find their cars intact or still in the car park at the end of each work day or visit. Naturally consideration should be given to whether or not any “Mosquito” devices could affect young people who live nearby and have no option of moving away from the noise. As regards “human rights”, I strongly think the term should be supplemented by “and responsibilities”. If some young people behave in ways which are anti-social to others (and tend to give the majority of young people a bad name), then they are abdicating their responsibilities – in which case they and older well-meaning advocates should not object to measures which help to counter the anti-social behaviour. At the same meeting I asked about classical music reportedly being broadcast over speakers at some locations such as railway stations in order to deter loitering gangs of youths. The response by police and security representatives was that this was acceptable, and in fact is used as an effective measure at several shopping precincts in the local area. The following queries arise: 1. Do others think it is bizarre that “Mosquito” noise is considered to infringe the human rights of young people, but classical music is considered otherwise? Surely both types of noise have the same effect. (As a classical music fan I hesitate to apply the word “noise” to such music, but can appreciate that non-fans may regard it as “noise”.) 2. Does anyone know of local authorities and other organisations which have no qualms about using “Mosquito” devices and in what sort of locations? If so, are the devices considered to be effective? 3. As regards potential harm from such devices, does anyone know of any evidence for this? Could it be that someone somewhere suggested that harm might possibly occur - and that this notion has become enshrined as fact through ample repetition? 4. This is probably a frivolous question: If young people can be effectively dispersed from locations by classical music, does anyone know if any composers have proved to be more effective than others? Perhaps someone could do research to establish the YPDR – “young people dispersal rating” – of different composers or even different pieces of their music!
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#2 Posted : 20 November 2008 08:23:00(UTC)
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Posted By John D Crosby Hi Graham Have never used this type of equipment but the reference to human rights is often taken as absolute and yet there are derogations for public safety for some and these include freedom of expression and right of assembly so if you are acting in the interest of public safety then it is extremely unlikely that any action could brought. I tend to find Mozart rather relaxing and would welcome such music when waiting at a station or similar places. Many people would consider that playing music will affect more people including those who are going about there lawful business i.e. the means of control is not targeted. The major problem with playing any music is that you will need a licence from the Performing Rights Society and they do not come cheap. Take care John C
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#3 Posted : 20 November 2008 09:05:00(UTC)
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Posted By MT Just a point on the theory that Mosquito devices can only be heard by the under 25s - my husband is 36 and has extraordinary hearing in that he can hear bats, and if we go anywhere near premises with Mosquito devices, or rat scaring devices which emit high pitched noises we have to leave immediately as he can't stand it. So, how would you deal with a legitimate visitor to your premises who can also hear the noise?
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#4 Posted : 20 November 2008 09:46:00(UTC)
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Posted By Sen Sar Have to agree with the previous posting, many people over the age of 25 CAN hear the sound a Mosquito emits. There is no evidence, as yet, that these devices cause damage to young peoples hearing because the research into it is in its infancy, although it is unlikely to change as you would not be exposed for the length of time to cause damage. Do they infringe people’s human rights, I think so. “Such devices might be an appropriate measure in locations where young people are causing known, potential or perceived threats” Potential or perceived threats, not surprising that young people feel victimised. I would feel very aggrieved if I was “moved on” by music/noise that was played just because someone thought I wouldn’t like it. Maybe the next generation will all be classical music fans! So they, IMHO, just shift the problem and solve nothing
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#5 Posted : 20 November 2008 09:52:00(UTC)
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Posted By Sally Are these young people actually causing a problem or is it that they are seen as a threat? I can understand if they are eg blocking an entrance but are they just taking advantage of your lighting. I do feel youngsters can't win these days. If they stay at home they are accused of wasting their time on computers and if they go out they are accused of loitering. In my local area we even had a campaign to stop the council putting lights on the football pitch in the park because this would encourage youth to use it after dark!!. sorry for the rant but is there a way that your company and these youth can peacefully co-exsist?
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#6 Posted : 20 November 2008 14:05:00(UTC)
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Posted By B I am over 25 (though still clinging on to that side of 30!) and I can hear the mosquito noise - honestly, it borders on painful! I would say that there is a big difference between that and using something like classical music which may be merely offensive to a person's (young or otherwise) taste.
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#7 Posted : 20 November 2008 14:15:00(UTC)
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Posted By Steve It doesn't really solve the problem (if it is a problem) it just moves it somewhere else. I tend to agree with Sally. Most of the time, they're not doing anything wrong anyway.
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#8 Posted : 20 November 2008 15:27:00(UTC)
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Posted By Graham Bullough Thanks for the responses provided so far, including the information that people with good hearing over the age of 25 or so can also hear and be affected by the noise from "Mosquito" devices. From the information available on some websites, such devices cost about £450, plus the cost of installation and measures to prevent damage and theft, so they are far from being a cheap quick fix measure. The circumstances which prompted the meeting I attended were that 1) the car of one employee working late was "torched", i.e. set on fire, by lurking youths according to the CCTV cameras, while 2) a few days later another employee's car was stolen by youths. So - yes, in this particular case, a few youths had caused trouble, and the meeting was convened to consider all possible methods of improving the security of cars belonging to employees and visitors, AND restoring the confidence of such people while at the premises. As regards locations where classical music is played as a deterrent, my risible mind conjures up the faint possibility that such music might cause problems by attracting clusters of older fans of such music! Slightly off-thread, my elderly mother mentioned some years ago that during WW2 some of the mainline stations in London tended to play Sousa marches over their tannoys between announcements. This music seemed to have the effect of inducing most passengers ("customers" in modern parlance) to walk more briskly than they normally would.
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#9 Posted : 20 November 2008 15:52:00(UTC)
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Posted By Kirsty Davies2 Thought you'll probably like this one; http://www.iosh.co.uk/in...um=1&thread=39391&page=1
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#10 Posted : 20 November 2008 16:02:00(UTC)
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Posted By D H You have to remember that any young person can hear it, even those not causing bother - and that includes infants, so not really fair to them. Can you control the timings of these noise emmisions - fit to a motion sensor in the evening for example? That may be a way forward. Dave
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#11 Posted : 20 November 2008 16:17:00(UTC)
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Posted By Barrie (Badger) Etter Going by the last two postings ... You have to play Mozart with a mozzie hidden inbetween the music which only starts up when the motion senor is triggered ... Is it Friday yet???
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#12 Posted : 20 November 2008 18:00:00(UTC)
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Posted By Pete48 But you all miss the point about classical music and young people. It is just not cool for most and therefore if you are seen standing anywhere near where it is playing you might be accused of actually listening to it, that's why you move away. LOL Wagner is pretty good at clearing a space both environmentally and in the mind I find. It was used very effectively a few years back in a suburb of Bristol I seem to recall. The best way to manage this sort of clash of cultures is in partnership with your local community support officers, local youth support teams or the police.
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#13 Posted : 20 November 2008 18:31:00(UTC)
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Posted By Graham Bullough Friday is not far off so I'll echo the gist of what somebody once wrote or said about Wagner's music - it's hours and hours of tedium interspersed with a few good bits. No doubt this comment may ruffle the metaphorical feathers of some Wagner fans out there. One of the indisputably good bits is "The Ride of the Valkyries" which featured in the Hollywood film "Apocalypse Now" set during the Vietnam War. Conflict combined with culture, eh?!
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